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Alert level: Cuddly

Blogs are so, like, stupid.

iCan't believe iHave one.

Misery loves danish

Subway: drink fresh
Can you believe I only know three people who have blogs? Lame.
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Annie Barrett is a writer
living in New York City. Annie Barrett. Annie Barrett is probably insane.
Annie Barrett doesn't care. TH |
| Thursday,
February 9, 2006 |
11:30 am - There's more important things than hearing you speak...
Commentary on Madonna's
new video from Confessions, "Sorry." Liveblogging
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...Such
as reading what I write! As if I needed another reason to love Madonna:
last night, during her performance of "Hung Up" at the Grammys,
she wore the exact type of outfit (some sort of cargo leotard featuring
a corset and possibly a bulletproof vest) that she wears in her second
Confessions on a Dance Floor video, "Sorry," which
premiered at AOL Music hours later on the same night.
Just
watch the video. "Hung Up" was amazing in its own right, I but
already think "Sorry" is even better. The woman's a creative
genius, and I'm sick of people not really getting this at all... or maybe
they do get it but they refuse to admit it in hopes of keeping
up their streed cred. These people need to get over themselves.
(Now
I'm just going to talk about the video. If you didn't just watch it like
I convincingly demanded, please move on to the next cool page on your
bookmarks bar.)
Presumably
after walking out of the nightclub from "Hung Up," Madonna and
her gal pals decide to hop into some random van... except it's not random!
It's driven by the awesome fat lady who danced in the train during "Hung
Up"! She's a recurring character! The ladies ditch their
guys and go cruising for new ones, all of whom they pick up off the street
and proceed to torture with sensuous lip-synching and Madonna's sinewy,
evil, platform-booted legs.
Interspersed
among the more plot-driven scenes are cuts to Madonna by herself against
a neon-dotted background that looks exactly like my absolute favorite
1980s toy, the Lite-Brite. My favorite parts of these: the one where Madonna
slowly feels down the curves of a hypothetical person (presumably "His
Humps") and when she flicks her thumb against the bottom edge of
her top teeth -- you know, just to do it. Why not?
[Crash!]
Now we're at the part of the video where Madonna's decided to face off
in some sort of deathmatch cage fight. Fans/onlookers/possible villains
are crawling up the chain-link fences like scary insects at high speed.
It's incredible. And right at what I think sounds like a "crash,"
or the turning point in the song (2:43) at which things mildly slow down
and Madonna gets to take a breather and speak foreign languages again,
in the video she and the women just stare down the men in the cage, like
"Just try and fuck with us. Really, try it." Look
at her fucking outfit. Look at any of her outits lately. It's a gas,
gas, gas.
Holy
crap. She's writhing all over the floor, pulling her leg over her head
and performing scissor kicks... and literally fighting each of the guys
off with her ridiculous dance moves! Without ever actually touching a
male dancer, she just kicked the shit out of maybe 15 of them.
To
make the kung fu shit-kicking sequence even more enjoyable, it all starts
right after she says "Forgive me" directly into the camera while
removing an apparently cumbersome white sparkly jacket. In the single,
she speaks three "Forgive mes," but in the video only the last
one gets mouth time. It's a welcome dramatic difference.
Suddenly
there's a random person roller skating through the cage, and... poof!
Everyone's in a roller rink, line dancing. It's like what they do in the
disco in Boogie Nights, when Roller Girl is actually on roller
skates. Because she's Roller Girl. Get it? The best parts of this scene
are when Madonna swings through the guy's legs at the beginning and does
a sweeping disco point, and the fact that during this scene and the cage
fight, she's wearing volleyball-esque knee pads!
At
one point during the roller-rink sequence when she's getting spun around
by a partner, you get the impression that at this point Madonna's gone
completely insane. NOTE: Discussion of outfits, above. But seriously,
who cares? This is hilarious.
The
final shots of the colorful boom box hanging out alone on the street and
Madonna's silhouette dancing against the Lite-Brite background should
provide a good starting point for the video for "Jump." I can
see her actually making a video for all 13 songs on the album and releasing
them as a collector's DVD. The songs would obviously all blend into each
other like they do on the CD, though it's unclear to me whether she'll
then rearrange the videos to show in the original album order or leave
them in the order the videos were released. I'm betting the latter, with
all new between-songs transitions. Either way, this is huge for music
videos as a genre.
Hmm.
As an aside, you'd have to be an obsessive fiend to appreciate this (Dr.
K I'm talking to you) but I really like this amazing cut between shots
of her posing-then-singing. The exact seconds in the song are from 0:59
to 1:00, in between the words "care" and "of." Posing!
Now, singing! Yesssss.
What
do you think? Do I need to get a more interesting life? Because I'm kind
of really enjoying this one.
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